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The private garden, however, has remained the centre for private fantasy and a means of escape from the grinding and difficult world of reality.

The most important aspect of the private garden is its seclusion: from the physical world, by means of distance and enclosure; from the social world, by separation and exclusion. The space may be very small, perhaps a tiny courtyard, and greenery limited to one or two plants, but these make possible that private world of fantasy that may make the difference between sanity and lunacy.

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The corridors have usually been considered merely a utilitarian framework, connecting and servicing buildings and quality open spaces, channelling traffic and utilities throughout urban areas, and connecting them with the open country around.

Modern urban thinking has begun to go beyond this concept, to see the total open-space system as the major qualitative structure of the city, which, when viewed in conjunction with overall building design, is seen to establish the city’s basic character.

The main entrance is aligned on a pergola (trellis-bordered) walk of vines leading directly to the dwelling.

The rest of the garden is laid out with tree-lined avenues, four rectangular ponds containing waterfowl, and two garden pavilions.

Towns, cities, and metropolitan areas may be said to have three basic components: buildings, designed by architects or builders; open spaces, designed by landscape architects or technicians; and circulation-utility corridors—street, highway, railway, and rapid-transit systems—which are usually planned and designed by engineers.

The basic structure of urban areas consists of the open spaces together with corridors comprising a total open-space system, defined by and connecting the buildings.

The landscape as a work of collective art is everything beyond this private range: everything seen beyond the confines of private gardens or estates, all borrowed landscapes, all streetscapes, all city, metropolitan, and regional landscapes, and their accumulation in national, continental, and world landscapes.

This collective art may be good or bad depending on whether it results from the accidental accumulation of individual and conflicting efforts or from controlled and planned efforts.

Instead of or in addition to simple front-yard and backyard design, there are more complex systems of spaces between buildings, which vary from courtyards and quadrangles of varying forms and dimensions to passageways connecting them in varying widths and degrees of overhead coverage.

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