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Tampa Red's classic "Tight Like That" (1928) is a sly wordplay with the double meaning of being "tight" with someone coupled with a more salacious physical familiarity.

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Idiosyncratic numbers of bars are occasionally used, such as the 9-bar progression in "Sitting on Top of the World", by Walter Vinson.

The basic 12-bar lyric framework of a blues composition is reflected by a standard harmonic progression of 12 bars in a 4/4 time signature.

Some sources state that the term blues is related to "blue notes", the flatted, often microtonal notes used in blues, but the Oxford English Dictionary claims that the term blues came first and led to the naming of "blue notes".

American blues singer Robert Johnson (1911 – 1938), His landmark recordings in 19 display a combination of singing, guitar skills, and songwriting talent that has influenced later generations of musicians.

The writer Ed Morales claimed that Yoruba mythology played a part in early blues, citing Robert Johnson's "Cross Road Blues" as a "thinly veiled reference to Eleggua, the orisha in charge of the crossroads".

are examples of artists often categorized as blues musicians for their music, although their lyrics clearly belong to spirituals.

The lyrical content became slightly simpler in postwar blues, which tended to focus on relationship woes or sexual worries.

Lyrical themes that frequently appeared in prewar blues, such as economic depression, farming, devils, gambling, magic, floods and drought, were less common in postwar blues.

Blues shuffles or walking bass reinforce the trance-like rhythm and form a repetitive effect known as the groove.

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