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She also directs plays such as at Intersection and La Mama/ NYC.Erika has been a guest artist at universities such as UC Berkeley, California College of the Arts, UC Davis, University of San Francisco, San Diego State, and Naropa University.

She has taught acting, improvisation, and scene study to students of all ages in various colleges, high schools, and studios and is featured in Acting Teachers of America: A Vital Tradition. Previously, he served as Artistic Director of Naked Angels in New York City for four seasons, where his producing credits include . as resident dramaturg and director of humanities in August 2005, and since then has dramaturged more than 50 mainstage and workshop productions. mainstage productions and as a member of the artistic team of the company. To date, more than 35 new plays by leading American and British playwrights have been developed and produced. ) has worked at Berkeley Repertory Theatre, Center REPertory Company, San Francisco Opera’s Merola Opera Program, and San Francisco Playhouse. He has served on the Gilroy Youth Task Force and worked for South County Cal-SOAP. in Classical Acting from the Academy for Classical Acting at the Shakespeare Theatre Company, George Washington University in Washington D. She has performed with Shakespeare Santa Cruz, Marin Theatre Company, San Francisco Playhouse, La Ma Ma Experimental Theatre Club, and Olney Theatre Center, as well as with Collaboration Town and We Players. Buescher has performed nationally and internationally with the Dell'Arte Company and is the artistic director of Workhorse, an ensemble-based company. He is a Ten Chimneys Foundation Lunt-Fontanne Fellow KARI PRINDL (Alexander Technique) grew up around the world before graduating from Oberlin College with a degree in English with a concentration in theater.

Conservatory, Smith was the director of the program in theater and dance at Princeton University, where she taught introductory, intermediate, and advanced acting. Robert O’Hara); NJPAC Stage Exchange (new play commissions w/ NJ theaters, world premieres). T., Slaight was an award-winning professional director in Los Angeles. T.'s audience education efforts for 19 years as publications editor, overseeing all of the theater's dramaturgical publications. Brodersen co-chaired the Education Committee formed by the A. Recently he was the Recreation Specialist for the Gilroy Youth Center and Ochoa Migrant Camp. Jessica also works with business professionals and private individuals on communication, presence, and presentation skills. He has designed movement for various theaters, including Trinity Rep, Long Wharf Theatre, and The Providence Black Repertory Company. Gabriel trained and danced with the Berkshire Ballet Company, is a certified instructor of the Michael Chekhov Technique, evaluates theater arts curricula for the New York State Education Department, and received his undergraduate degree in musical theater from the University of Michigan.

Prior to joining Second Stage, he spent six seasons at Roundabout Theatre Company, where he managed Broadway and off-Broadway productions. Artistic Director's Award in 2000 and the San Francisco Unified School District's Dreamcatcher Award in 2012. Jasmin’s playwriting, directing, and acting credits include (University of Massachusetts). Louis, she graduated summa cum laude in 2010 with double departmental honors in secondary education and drama studies.

as general manager in 2011, DON-SCOTT COOPER managed more than 50 theater productions in New York and was general manager at Second Stage Theatre for six seasons. she supports new and veteran teaching artists with curriculum design and pedagogy and trains the MFA students in Citizen Artist practices. Jasmin also specializes in social justice and cultural competency education and has led trainings and workshops for teachers and students at A. T., Aim High, San Francisco State University, People of Color in Independent Schools (POCIS), and at the Empowering Women of Color Conference at UC Berkeley. After receiving a Daniel Webster Scholarship at Webster University St.

Mac Kinnon is an alumna of the Drama League, Women’s Project Theater, and Lincoln Center Theater’s Directors Labs. He has also served as mediator in orchestra and opera union negotiations in Detroit, Louisville, Milwaukee, Phoenix, Sacramento, Seattle, and San Antonio. During that time, she has overseen the expansion of the M. Struch also worked with Peer Health Exchange for three years in Los Angeles, San Francisco, and Oakland. in theater from California State University, Northridge. He has directed The Collective's annual Depth of Black Arts festival (2013) and CARLY CIOFFI is an actor, director, producer, and teacher. She taught acting and devising theater at pre-college programs, Boston University and the Olney Theatre Center in Maryland, and currently teaches acting in the adult theater program, Studio A. MATT CHAPMAN is a performer, director, and teacher of physical theatre and clown. She holds a BA in comparative literature from Brown University and an MFA in acting from A. He was Artistic Director of Art Street Theatre, San Francisco, from 1995 to 2004, during which time he wrote, directed and performed in numerous productions for the company.

She is an Associate Artist of Roundabout Theatre Company, Executive Board President of the Stage Directors and Choreographers Society (SDC), and former chair—and now advisory board member—of Clubbed Thumb, a New York downtown theater company dedicated to new American plays. Mac Kinnon is joined by her long-time partner, actor John Procaccino, in this great adventure and next step as A. Born in Brooklyn, New York, in 1938, Pastreich received a BA in English literature from Yale University in 1959. Most recently, she served as the Bay Area program director, training college volunteers and managing a school-based health education program for 2,500 high school students. She has previously served as both Associate Director of the Conservatory and Artistic Associate at A. He is Co-Artistic Director of Under the Table, a physical comedy ensemble founded in 2001. Mark's work has also been seen at Aurora Theatre Company, Encore Theatre Company, EXIT Theatre, Potrzebie Dance Project, San Francisco International Arts Festival, Shotgun Players, and The Studio Theatre (Washington D.

ERIKA CHONG SHUCH is a choreographer and director, who makes original performance work with her company, the Erika Chong Shuch Performance Project, a resident company at Intersection for the Arts in San Francisco.

Erika was a 2012 resident artist at Berkeley Repertory Theater (Groundfloor Program) where she workshopped with collaborators Michelle Carter and Allen Wilner.

He has been a guest lecturer at New York University and an instructor at the Einhorn School of Performing Arts at Primary Stages. Some of his highlights at NJPAC include: (w/ Two River Theater, dir. T.'s celebrated in-depth study guide for each subscription production. Board of Trustees during its most recent strategic planning process and has been instrumental in the resulting expansion of A. ), Vincent Amelio has been involved in theater administration as well as youth and community services for over a decade. in Professional Voice Practice from the Birmingham School of Acting, and an M. STEPHEN BUESCHER (Head of Movement and Physical Theater) is an actor, director, and teacher who has taught physical theater in various master's programs, including Brown University/Trinity Rep Consortium, Yale School of Drama, the University of Connecticut, and the University of Missouri-Kansas City. T.'s ACTsmart education and outreach community programs, Young Conservatory, Summer Training Congress, San Francisco Semester, and M. He starred in the West Coast premiere of with the San Francisco Symphony, conducted by Michael Tilson Thomas.

He has been on the negotiation committee for numerous collectively bargained union agreements. T., Andy was the Producer of Artistic Development and Community Programming at the New Jersey Performing Arts Center (NJPAC) in Newark, NJ, where he oversaw long-range creative projects, new musical series, commissioning works, television broadcasts (w/ HBO, PBS, NJTV), co-presentations, and free community/civic programming. Her poetry was repeatedly published in Webster's literary magazine, " and "Staging a Writing Revolution: Utilizing Playwriting Methods in General English Curriculum." Means is currently sharing the position of school and community programs coordinator with Jasmin Hoo while pursuing her M. in counseling psychology with a concentration in drama therapy at California Institute of Integral Studies in San Francisco. in Voice Studies from the Royal Central School of Speech and Drama. Gabriel has also played principal roles in major productions at Milwaukee Repertory Theater, the Brooklyn Lyceum, Capital Repertory Theatre, California Shakespeare Theater, New York's Town Hall, Saratoga Performing Arts Center (SPAC), South Coast Repertory Theatre, Shakespeare Santa Cruz, Center REPertory Company, North Coast Rep, La Jolla Playhouse, and Saratoga Shakespeare Company.

T.’s high school programs, Jasmin has taught theater and written and directed plays for elementary and middle school aged students at the Children’s Day School, Aim High, Young Performers Theater, Fusion camp, and the YMCA in San Francisco.

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